Questioning assumptions that dancing reflects culture, Franko employs a unique interdisciplinary approach to dance analysis that draws from cultural theory, feminist studies, and sexual, class, and modernist politics. Franko also highlights the stories of such dancers as Isadora Duncan, Martha Graham, and even revolutionaries like Douglas Dunn in order to upend and contradict ideas on autonomy and traditionally accepted modernist dance history.
Revealing the captivating development of modern dance, this revised edition of Dancing Modernism / Performing Politics will fascinate anyone interested in the intersection of performance studies, history, and politics.
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