This book is the only work in English that includes a plurality of voices from minor schools (Ibadi, Ashari, Zaidi, and Ismaili) largely neglected by Western scholars, alongside major schools, and draws from all available sub-genres of exegesis. Further, by revealing ambiguities in the interpretation of mut’a, this work challenges accepted sexual ethics in Islamic thought—as presented by most classical and many modern Muslim scholars—and thus opens up space to theorize Islamic sexual ethics anew and contribute to this crucial conversation from the perspective of Muslim feminism.

The five sections of the book draw together some of the principal themes: ‘Royal Power’ investigates the role of sultanic patronage in epigraphy, and the use of inscriptions for projecting royal power. ‘Piety’ examines the relationship between epigraphy and religious practice. ‘Epigraphic Style and Function’ explores the relationship between the use of specific epigraphic styles and scripts and the function of a monument. ‘Inscribed Objects’ moves from monumental inscriptions to those on objects such as ceramics and pen-cases. The final section considers the interplay between inscriptions and historical sources as well as the utility of inscriptions as historical sources.